Tara Mosque is one of the most charming and artistically unique mosques in Bangladesh. It is located on Abul Khairat Road in Armanitola, Old Dhaka. The mosque takes its name from the striking blue star motifs set against its white marble domes, an unusual decorative feature that immediately captures attention.
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Although the exact construction date is not inscribed on the building, historians believe it was built in the early 18th century by zamindar Mirza Ghulam Pir (Mirza Ahmad Jan), grandson of the wealthy Dhaka noble Mir Abu Saeed. At that time, the mosque was popularly known as “Mirza Sahib’s Mosque.” It stood in the historic Mahalla Alee Abu Saeed, later renamed Armanitola, an area known for its cultural and architectural heritage.
After Mirza Ghulam Pir’s death in 1860, the mosque underwent a major renovation in 1926 under the patronage of local businessman Ali Jan Bepari. During this restoration, colorful Japanese china tiles were imported and used to create intricate mosaic decorations. These mosaics feature floral patterns, star shapes, and ornamental designs, giving the mosque a distinctive artistic identity that blends Mughal elegance with early 20th-century decorative influences.
Architecturally, the mosque reflects strong Mughal influences, similar to structures found in Delhi, Agra, and Lahore. Originally, it was a modest three-domed structure measuring 33 feet in length and 12 feet in width. In 1926, a veranda was added to the eastern façade, expanding the prayer space. Later, in 1987, the mosque was further renovated.Its three domes were increased to five, and additional mihrabs were constructed to accommodate more worshippers.
Today, the mosque measures approximately 70 feet in length and 26 feet in width. Despite its relatively small size compared to grand national mosques, Tara Mosque stands out for its refined craftsmanship, star-studded domes, detailed mosaic interiors, and serene atmosphere.
Beyond being a place of worship, Tara Mosque represents the layered history of Old Dhaka where Mughal tradition, colonial-era influences, and local craftsmanship come together. It remains a beloved spiritual site and a must-visit architectural landmark for both locals and visitors exploring the heritage of Old Dhaka.